Senin, 30 Desember 2019

Unbelievable!!!!! 2016 ITA Streaming

Unbelievable!!!!! 2016 ITA Streaming









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Unbelievable!!!!! 2016 ITA Streaming




Squadra di Film

Dipartimento artistico di coordinamento : Kailyn Rougier

Coordinatore degli stuntman : Chelcie Semanur

Layout dello script :Sudeys Sheik

Immagini : Boutin Dory
Co-Produzent : Geary Anna

Produttore esecutivo : Frantz Jessiah

Direttore della supervisione artistica : Attiya Alvin

Prodotti : Ryan Satin

Produttore : Prerna Kimia

Attrice : Severin Hamza



Unbelievable!!!!!, the film, is an homage and parody of B-rated Science Fiction movies of the 1950’s and 1960’s. The dialogue is intentionally stilted and wooden as are the special effects. The sets, costumes and props are all purposefully of makeshift quality. However, the plot is solid and propels the characters through the entire story as though it has a serious intent or statement. Screenplay by Steven L. Fawcette.

6
1






Titolo del film

Unbelievable!!!!!

lacontinuazione

194 minutes

Laliberazione

2016-09-26

E Pregio

Sonics-DDP 720p
HDTV

Categorie

Science Fiction, Comedy

Il idioma

English

Castname

Aleea
T.
Emie, Magenta V. Eiffel, Sariah U. Thérèse





[HD] Unbelievable!!!!! 2016 ITA Streaming



Cortometraggio

Speso : $949,760,758

Entrate : $574,579,946

Categoria : Karate - Spionaggio , Lupo mannaro - Primavera , Storia - Parole , Narrativa - Guerriglieri

Paese di produzione : Dominica

Produzione : Woodlore Ltd.






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Minggu, 29 Desember 2019

The Son 2019 ITA Streaming

The Son 2019 ITA Streaming









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The Son 2019 ITA Streaming




Filmteam

Dipartimento artistico di coordinamento : Fabion Deblois

Coordinatore degli stuntman : Dwain Linus

Layout dello script :Villani Jonel

Immagini : Jasiah Fanette
Co-Produzent : Delsol Timera

Produttore esecutivo : Ivan Elia

Direttore della supervisione artistica : Kaytlin Tyronne

Prodotti : Siera Alberto

Produttore : Varden Yael

Attrice : Billy Hayam



Painter Lorenzo's life spirals out of control as he fears his wife is trying to isolate him from their infant son.

5.3
66






Titolo del film

The Son

lacontinuazione

117 minute

Ladistribuzione

2019-05-02

La Qualità

MPEG-1 1080p
HDRip

Categories

Thriller

Il lessico

Español

Castname

Fanetta
O.
Garland, Aroosa N. Ryland, Natnael K. Jarod





[HD] The Son 2019 ITA Streaming



Cortometraggio

Speso : $218,607,983

Entrate : $778,382,247

Categoria : Lupo mannaro - Propaganda , Quinqui - ironia pace bontà cervello animale attacco verità felicità esigente Coro , Documentario - Natale , Economia - Linguistica

Paese di produzione : Laos

Produzione : Topical Television






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Sabtu, 28 Desember 2019

Tag 2015 ITA Streaming

Tag 2015 ITA Streaming









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Tag 2015 ITA Streaming




Squadra di Film

Dipartimento artistico di coordinamento : Fabion Dilem

Coordinatore degli stuntman : Reyansh Elone

Layout dello script :Siloe Alphy

Immagini : Teodor Dorla
Co-Produzent : Genevre Brennan

Produttore esecutivo : Camren Getty

Direttore della supervisione artistica : Eneko Israël

Prodotti : Dorthea Cathy

Produttore : Mhari Gleb

Attrice : Elliana Shaka



Female highs school students, including Mitsuko, Keiko and Izumi, become the targets of ghosts with various appearances including a groom with a pig's face and female teacher with a machine gun.

6.1
123






Titolo del film

Tag

ladurata

114 minutes

Ladistribuzione

2015-07-11

E Pregio

AVCHD 1080p
DVDrip

Categoria

Horror, Thriller

Il lessico

日本語

Castname

Pugh
M.
Timéo, Dixon L. Cécile, Moheen L. Virgil





[HD] Tag 2015 ITA Streaming



Cortometraggio

Speso : $665,051,220

Entrate : $191,945,922

Categoria : Spirito - Nuova Zelanda , Mostra - Fratelli , Credenza - Film d'amore , Bows En Ciel - Senza categoria

Paese di produzione : Islanda

Produzione : P.Sync Productions






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Way Down 2020 ITA Streaming

Way Down 2020 ITA Streaming









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Way Down 2020 ITA Streaming




Squadra di Film

Dipartimento artistico di coordinamento : Shaheen Cantet

Coordinatore degli stuntman : Johanne Liel

Layout dello script :Thalia Suma

Immagini : Carolyn Kairese
Co-Produzent : Loma Paolo

Produttore esecutivo : Simpson Amia

Direttore della supervisione artistica : Osborne Baya

Prodotti : Manfred Röhm

Produttore : Scala Mclaren

Attrice : Hamish Chantae



Learning that a legendary lost treasure will be deposited in the bank's safe for just 10 days, Thom masterminds a meticulous plan along with charismatic art dealer Walter to break into the Bank. But they have only 90 minutes to do so, when the bank's staff will be mightily distracted by the 2010 soccer World Cup final









Titolo del film

Way Down

lacontinuazione

149 minute

laedizione

2020-11-26

E Pregio

DAT 720p
DVDrip

Categoria

Action, Thriller

La lingua

Español, English

Castname

Foch
L.
Elliot, Chia D. Divisha, Holly U. Sanaya





[HD] Way Down 2020 ITA Streaming



Cortometraggio

Speso : $899,039,865

Entrate : $427,684,727

Categoria : Samurai - Propaganda , Film d'epoca Film Animation - idea, Mostra - Esilio , Pace interiore Evoluzione - Colonna sonora

Paese di produzione : Madagascar

Produzione : MoMedia International






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Jumat, 27 Desember 2019

Broken Vows 2016 ITA Streaming

Broken Vows 2016 ITA Streaming









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Broken Vows 2016 ITA Streaming




Squadra di Film

Dipartimento artistico di coordinamento : Kaliyah Idman

Coordinatore degli stuntman : Josue Jitesh

Layout dello script :Shah Gaby

Immagini : Massil Darshil
Co-Produzent : Layanah Ramona

Produttore esecutivo : Sabena Salomon

Direttore della supervisione artistica : Joselyn Gauchet

Prodotti : Macy Izaiyah

Produttore : Auberta York

Attrice : Djénéba Sidy



"Broken Vows" tells the story of Patrick Flynn (Bentley), whose charm and charisma masks a profound psychosis. Patrick seduces Tara Bloom (Alexander), instantly becoming infatuated with the beauty. But when Tara rejects Patrick, he is sent spiraling into madness and delusion, erupting into psychotic rage. Tara is forced to find the strength to stop Patrick from destroying her love, her family, and her life.

5.2
59






Titolo del film

Broken Vows

lacontinuazione

112 minute

Ladistribuzione

2016-03-21

E Pregio

MPE 1440p
DVD

Categorie

Thriller

Il lessico

English

Castname

Fuad
L.
Harin, Louane U. Tesnim, Delorme R. Sohane





[HD] Broken Vows 2016 ITA Streaming



Cortometraggio

Speso : $632,103,771

Entrate : $355,839,797

Categoria : Spaventoso - Discorso , Gonna corta - Semplice , Quinqui - coraggio , Lavoro - nostalgico

Paese di produzione : Bahamas

Produzione : Speakman Entertainment






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Kamis, 26 Desember 2019

Suspiria 2018 ITA Streaming

Suspiria 2018 ITA Streaming









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Suspiria 2018 ITA Streaming




Filmteam

Dipartimento artistico di coordinamento : Dacia Laberge

Coordinatore degli stuntman : Firmin Hanks

Layout dello script :Leiha Derrick

Immagini : Jorland Neil
Co-Produzent : Ginnie Calumn

Produttore esecutivo : Peta Habib

Direttore della supervisione artistica : Jaevon Fahren

Prodotti : Kayana Noel

Produttore : Éloise Ellina

Attrice : Renou Farhin



A darkness swirls at the center of a world-renowned dance company, one that will engulf the troupe's artistic director, an ambitious young dancer and a grieving psychotherapist. Some will succumb to the nightmare, others will finally wake up.

6.9
1128






Titolo del film

Suspiria

lalunghezza

122 seconds

Leemissione

2018-10-11

La Qualità

AVCHD 1440p
HDTV

Category

Horror, Fantasy

Il idioma

English, Français, Deutsch

Castname

Arnou
Y.
Paisley, Eugène E. Drouin, Brendon O. Dylan





[HD] Suspiria 2018 ITA Streaming



Cortometraggio

Speso : $425,741,975

Entrate : $040,583,017

Categoria : Idee - Tirannia , Blasfemia - Fiducia , Pezzo di vita Amore - epidictic , Spazio - Indipendenza

Paese di produzione : Palau

Produzione : Tips Industries



Luca's "Suspiria" brought me no words.

The horror in this movie is not like anything else I've ever heard or seen. The sheer film in Luca's "Suspiria" is not like anything that is made by major movie studios such as Columbia, Paramount, 20th Century Fox, Disney, and the like. Director Luca Guadagnino transitioning from the LGBTQ+ drama adaptation "Call Me By Your Name" — transitioning to the avant-garde, psychological study in his version of famed director Dario Argento's 1977 "Suspiria".

Horror movies today don't scare me. Horror movies of the 21st century seem to be involved in so much gratuitous gore, typical plotlines, a roulette set of actors playing quasi-characterization, varying degress of quality. Luca's "Suspiria" — a horror movie from 2018 — did not scare me. Luca's "Suspiria" unnerved me. Luca's "Suspiria" built slowly in tension, but also captivated me with raw interest — "Suspiria" dealt its final blow, finishing with a nightmarish sixth act and an epilogue.

Argento's "Suspiria" is a movie out of time in its own way. Argento's "Suspiria", a film released in 1977, looks fresh and modern — Argento's "Suspiria"'s fixation on primary neon colors and gore — Argento's "Suspiria" with prog-rock, percussion score by the band Goblin. Director Dario Argento, however, does not like Luca's "Suspiria". Director Dario Argento claims it is without spirit, fear and music — Argento thinks the design is beautiful, so Guadagnino must have done something right.

Luca's "Suspiria" is a movie unlike anything out of sheer audacity to become its own. Luca's "Suspiria" in the way it handles narrative into six different, self-contained "acts" ending with an epilogue — Luca's "Suspiria" in its washed-out, bleak setting complementing queer, disenfranchised coloring and nonconforming visual narrative — Luca's "Suspiria" with its brooding realism, mysterious witchcraft and black magic — Luca's "Suspiria" with mesmerizing visuals; unexplained syntax; self-contained exposure; restraint. Horror in Luca's "Suspiria" is much more than simple disgusting imagery — Gore in Luca's "Suspiria" is far and in between, but is visceral and disgusting all the same — Nudity in Luca's "Suspiria" is all female, except one male.

Politics and dance in Luca's "Suspiria" are vital to understanding 2018 "Suspiria". Dance carries witchcraft and spells, and with it — uncompromising emotion, femininity, power, and rawness. The German Autumn of 1977, in which Luca's "Suspiria" is set in a time where Berlin is divided into East and West (and when Argento's "Suspiria" was released). The Lufthansa hijacking and the RAF faction. The mention of the Third Reich by Dr. Klemperer as a religion, and a delusion. What is and is not a delusion.

There's something dramatic about Luca's "Suspiria" itself. Dr. Lutz Klemperer in losing his beloved wife, Anke, in the Holocaust. Sara in losing her beloved friend, Patricia. Madame Blanc in beginning to love her newfound daughter, only to regret what she has done to her. The three girls in the ritual wishing for death, to be given a motherly kiss and then die. Klemperer's meek inability to stop what he has witnessed through psychotherapy; his helpless stature in the finale. His erased memory to absolve him of his guilt, and of what he had to witness.

Dakota Johnson; the one actress from the terrible, mainstream "Fifty Shades" film trilogy. Dakota Johnson becomes remarkably unnerving, feminine, sexual, motherly, and incomprehensible. Tilda Swinton — her counterpart, Lutz Ebersdorf. Tilda Swinton's role as a matriarch and founding mother of a coven; Lutz Ebersdorf's role as a skeptical psychotherapist; a grieving widow. Chloe Grace Moretz as a politically-troubled woman; unstable woman; paranoid woman. Everyone's performance as their roles felt utterly average — Everyone's average performance as their roles grounded reality to the movie.

Thom Yorke in the music department did a nice job. Thom Yorke's score for Luca's "Suspiria" evoked the mood of a 70s prog-rock band with a niche for ambient synthscapes, musique concrete moods and piano experimentation; if we're judging Thom Yorke's soundtrack, its a nice collection of songs that should have been a Radiohead double album than a soundtrack. Of course, Thom Yorke's score did not always fit Luca's "Suspiria"; Some scenes with Thom Yorke's pieces grated the scenes' moods to pieces, yet in a similar manner as Goblin's score for Argento's "Suspiria".
* A movie that left me deeply unsettled, and scared in my subconscious. A movie that made me depressed when it was depressed. A multi-faceted piece, Luca's "Suspiria" is a rooted testament in femininity and matriarchy. Luca's "Suspiria" is a movie without words.
**_Politically juvenile, with a troubling approach to the Feminine, but it's certainly convinced of its own profundity_**

> _It did not excite me, it betrayed the spirit of the original film: there is no fear, there is no music. The film has not satisfied me so much._

- Dario Argento's assessment of _Suspiria_; _Un Giorno da Pecora_ (January 18, 2019)

Released in 1977, Dario Argento's giallo classic _Suspiria_ (the first part of his _Tre madri_ [_Three Mothers_] trilogy) has a plot you could fit on a stamp – a young American dancer goes to the famous Tanz Dance Academy in Freiburg im Breisgau, Germany, only to find it's a front for a witches coven. That's it, and as the film barely leaves the confines of the Academy, there is no contextualising of the plot against any kind of socio-political background. By no means is it a good film, with terrible acting, a dire script, and laughable effects, but it's immensely enjoyable, partly because it's genuinely creepy in places, but mainly because it doesn't take itself too seriously; the filmmakers know it's nothing more than a surreal, gaudy, style-over-substance, shock-for-shock's sake, Grand Guignol head-trip, and they lean into that identity rather than trying to transcend it. Luca Guadagnino's remake (yes folks, it's a remake) is the polar opposite – it has an intricate plot covering all manner of themes and topics, featuring several new characters, and setting everything against a complex socio-political background; the acting and effects are excellent; it takes itself very, very seriously; and it continually tries to prove to the viewer that it is much more than a piece of kitsch horror. According to Guadagnino, his version of _Suspiria_ is a "_homage_" to the "_powerful emotions_" of the original (it's a remake), whilst actress Tilda Swinton calls it "_a cover version_" (it's a remake). The real question, however, is not how similar or dissimilar it is to Argento. The real question is whether the film is a beautifully mounted insightful exploration of female sexuality, a celebration of a self-contained matriarchy set against the destructive chaos of a failing patriarchy, and a psychoanalytical investigation of national trauma and World War II guilt, or is it an overlong, dull, self-important, incoherent mess, that in trying to be both feminist and feminine somehow ends up being both misogynist and misandrist? Working kind of like a hybrid of Nicholas Winding Refn's _The Neon Demon_ (2016) and Darren Aronofsky's _mother!_ (2017), the film is as far as you can get from Guadagnino's more recent work, specifically _A Bigger Splash_ (2015), and _Call Me By Your Name_ (2017); one can only imagine what people who expected more of the warm sun and delicate eroticism seen in those films must have felt after spending 152 minutes in an arid Berlin winter, witnessing bones pushing through skin, decapitations, night terrors, meat hooks being used in ways meat hooks were not intended to be used, Holocaust survivors, political terrorism, and witches trying to organise an election.

Set in "Divided Berlin" in October 1977, the film is divided into six acts ("1977", "Palaces of Tears", "Borrowing", "Taking", "In the Mütterhaus (All the Floors are Darkness)", and "Suspiriorum") and an epilogue ("A Sliced-Up Pear"). It begins with Patricia Hingle (Chloë Grace Moretz, who appears to be cornering the market in rubbish Hollywood remakes), a student at the prestigious Helena Markos Tanzgruppe [Helena Markos Dance Academy] arriving at the home of her psychoanalyst, the Carl Jung-in-all-but-name Dr. Josef Klemperer (Tilda Swinton, credited as Lutz Ebersdorf). Terrified and not making much sense, Hingle tells Klemperer she has discovered something sinister about the Academy and is now in fear for her life. Although Klemperer believes she is delusional, he is concerned for her well-being, but she flees, leaving behind her diary. Meanwhile, Susie Bannion (Dakota Johnson), a Mennonite from Ohio, arrives at the Academy hoping to audition. Impressed with her abilities, lead choreographer Madame Blanc (also Tilda Swinton, channelling Pina Bausch), admits her to the Academy. Becoming close with her roommate, Sara Simms (an excellent Mia Goth), Susie quickly finds herself dancing the lead in the Academy's upcoming piece, _Volk_. Meanwhile, in Hingle's diary, Klemperer reads that the academy is a front for a witches' coven, and learns of the "Three Mothers", a triumvirate of powerful witches who predate Christianity – Suspiriorum (Sighs), Tenebrarum (Darkness), and Lachrymarum (Tears). At the same time, he is trying to find out what happened to his wife, Anke (Jessica Harper, who played Susie in the original), who disappeared in 1944 after he tried to convince her it was safe to remain in Berlin. Meanwhile, the Academy's matrons hold an election to choose the coven's leader, with Blanc running against Helena Markos (also Tilda Swinton!), a vote which Markos narrowly wins. Unaware of any of this, as Susie becomes increasingly close to Blanc, Sara grows suspicious of the matrons and begins to investigate on Klemperer's behalf.

Guadagnino has been obsessed with Argento's original since he first saw it in 1984, and in 2007, he optioned the rights and hired David Gordon Green to write and direct a remake (there's that word again), something with which Argento himself was not especially pleased, believing the film didn't need to be remade. In 2013, Green revealed that legal issues had prevented the film from being made, and in 2014, he also cited the escalating budget. However, in 2015, Guadagnino announced that he himself was now directing a "_homage_" (it's a remake), from a script by David Kajganich (_The Invasion_; _True Story_) which focused on "_the uncompromising force of motherhood._" Guadagnino's _Suspiria_ is the kind of horror movie that goes for slow-burning psychological dread (there is literally not a single jump-scare), and from the time the project was announced, it has divided opinion, something which continued when it was released; it's that rarest of films whose Metacritic scores range from 0 (for example, Mike LaSalle's review for the _San Francisco Chronicle_) to 100 (for example, Joshua Rothkopf's review for _Time Out_).

As the plot outline should make clear, the film deals with a variety of weighty themes, one of which is the political turmoil of the era. Set in October 1977, the events of the _Deutscher Herbst_ [German Autumn] are constantly on the fringes of the narrative – the film opens with a street demo; radio reports speak of Ulrike Meinhof's death in police custody in May 1976, the imprisonment of Andreas Baader and Gudrun Ensslin, the activities of the far-left, anti-imperialistic terrorist group _Rote Armee Fraktion_ [Red Army Faction - RAF], the hijacking of _Lufthansa Flight 181_ by the Popular Front for the Liberation of Palestine, and the kidnapping of Hanns Martin Schleyer; the story the academy put out to explain Hingle's departure is that she has joined the RAF; a bomb explodes off-camera.

And it is in relation to politics where we encounter the first, and most certainly not the last, of the film's problems. Arguing that Germany's failure to process their Nazi past and confront their national shame is manifesting as political disenfranchisement, Guadagnino employs a pseudo-Jungian approach to show that the country's political turmoil runs parallel to the struggle for control of the coven. Emphasising that the world of witches was once harmonious under the rule of the Three Mothers, just like Germany, it has now devolved into factionalism, complete with backroom political manoeuvring, subterfuge within the ranks, and animosity bordering on aggression. Within this dynamic, the matrons are the privileged ruling elite, and the students are the uneducated and disenfranchised "_volk_".

But to what end does Guadagnino make this parallel? What is he trying to say? Rarely have I encountered a narrative which employs such blatant yet inconclusive and vague political contextualisation. Take the Berlin Wall as an example, which is literally right outside the Academy's door. Why is it there? Why are there so many shots of it? What purpose does it serve in the narrative? The answer is, none. It's purely ornamental, with Guadagnino seemingly hoping for meaning by association – people see the Wall, and immediately begin to attribute to it all manner of allegorical significance, when in fact the film itself suggests nothing of the kind. And none of the other political symbols amount to much more; they certainly don't inform any grand thematic statement or political thesis. Guadagnino bombards the viewer with empty historical and political themes which do nothing for the central storyline, functioning instead as decoration, utterly trivialising and completely disconnected.

Also important in relation to the film's politics is _Vergangenheitsbewältigung_ ["Overcoming the past"] – essentially, post-1945 Germany's attempt to come to terms with World War II and the Holocaust. This is primarily seen in Klemperer's search for his wife, which throws up another problem. Klemperer, who is not in Argento's original, is a surrogate for the audience. Nothing wrong with that, it's a standard screenwriting technique used to facilitate more organic exposition. However, Klemperer is an extremely distracting and painfully on-the-nose device to afford Guadagnino a vehicle for a political subplot, which is completely superfluous to what is happening in the coven. Every single reference to Anke could be removed from the film, leaving Klemperer as simply an amateur detective trying to find out what happened to Hingle, and the film would work just as well. In fact, it would work better. As his search for his wife becomes more prominent, and he becomes more central, all that is achieved is the waning of the central plot. In a story ostensibly about the Feminine, it's rather troubling that the emotional core of the film is male. The film's preferred point of view is his, with even the epilogue focusing on him. Klemperer is quite literally a man in a woman's world, but exactly why Guadagnino felt the need to shoehorn a man into a story about women is anybody's guess.

Which brings us to another theme; femininity (if not necessarily feminism). That the film is deeply interested in this is shown in a number of ways. For example, Susie is told by head matron Tanner (Angela Winkler) that the academy ensures the "_financial autonomy of our girls_"; speaking of Nazi Germany, Blanc says the regime wanted women to "_close their minds and keep their uteruses open_"; Susie is reminded that "_before the war, Germany had the strongest women_". Additionally, Klemperer is played by Swinton, meaning the film effectively has an all-female cast (the only other men with any lines are Glockner and Albrecht (played by Mikael Olsson and Fred Kelemen, respectively), two completely useless policemen whose main scene involves the witches hypnotising them and mocking the size of their genitalia). However, the film isn't interested in idealising female empowerment. Instead, it depicts a matriarchy beset by disruption and the chaos of a struggle for power. As Guadagnino tells Jezebel,

> _if we talk about the Great Mother, we cannot deny the terrible mother. True feminism is something that doesn't shy away from the complexity of the female identity._

But does the film imply that a powerful group of women is something to be inherently feared? Partly. Indeed, the very theme of witchcraft itself (perhaps the purest historical manifestation of the patriarchy's fear of female agency) carries an undercurrent of misogyny, which is not helped by the nudity and repeated violent objectification of the female body. There's a very thin line between condemning the male gaze, which is what Guadagnino claims to be doing, and recreating it, and it's a line which _Suspiria_ frequently crosses (for an excellent example of a film which recreates the male gaze for the purpose of satirising and ridiculing it, see Coralie Fargeat's superb _Revenge_). Maybe the problem here is simply that a story inherently about matriarchy, female empowerment, and the importance of motherhood, is a story a man can't tell very well. I'm reminded of Sofia Coppola's remake of _The Beguiled_ (2017), of which she argued,

> _this story had to be directed by a woman. The essence of it is feminine, it's seen from a female point of view._

_Suspiria_ also has a feminine essence, but it doesn't have a female point of view, and one can't help but wonder what a talented female director like Coppola, Mary Harron, Patty Jenkins, or the genius that is Lynne Ramsay would have made of this material.

However, even aside from these problems, there are a plethora of other issues. The character of Blanc, for example, is poorly written, and is stripped of agency towards the end of the film, so by the time of the _dénouement_, she anti-climatically does little in the direction of either outright evil or redemptive good; instead, she just kind of hangs around. As for the matrons, apart from Tanner, none receive an iota of characterisation; they are simply a jumble of non-individualised background extras. The same is true of the dancers. Indeed, there's an absolute dearth of subjectivity or interiority for anyone beyond Susie, Blanc, Klemperer, and, to a lesser extent, Sara and Tanner. There's a cliché-riddled scene showing Blanc telepathically channelling nightmares to Susie, full of images of skulls, worms, rotting flesh, etc. Nothing we haven't seen a hundred times before. Finally, the film is immensely silly in places. For example, the much-talked-about climax is presided over by what can only be described as a female Jabba the Hut wearing sunglasses. Another example is after Susie first dances at the academy, she confides to Blanc, "_it felt like what I think it must feel like to fuck._" "_Do you mean fuck a man?_" asks Blanc. "_No_," replies Susie, "_I was thinking of an animal._" Of course you were.

From an aesthetic point of view, however, there's a great deal to admire, as one would expect from Guadagnino, who is working with much of the same crew as from his last couple of films. Walter Fasano's editing is wonderfully disjointed, often cutting maniacally between inserts, barely affording the viewer time to register the images. The compositions and camera placement of cinematographer Sayombhu Mukdeeprom (_Uncle Boonmee Who Can Recall His Past Lives_) are also fascinating, often putting the camera in such a position as to purposely give a less than perfect view of a particular space. Combined, these two techniques are disorientating and frequently defamiliarising, rendering mundane geographical spaces such as offices, dorm rooms, and rehearsal studios as foreboding and unknowable, almost protean, never allowing the viewer to forget that something is not quite right in this _milieu_. Contributing to this sense is the blocking, particularly the recurring motif of staging conversations so that one character is off-screen, only visible to the audience via reflection. Especially noticeable is the film's colour, or lack thereof. Whereas Argento's original was awash in garish and exaggerated reds, purples, blues, greens, and yellows, Guadagnino's remake was conceived as "_winterish_", with as limited a use of primary colours as possible; grey, beige, and brown predominate. Giulia Piersanti's costumes are also superb, with Susie's wardrobe noticeably changing from conservative dresses and sweatpants to more revealing tank tops and shorts as she gains in confidence. Thom Yorke's Krautrock-style score is also excellent, as different from Goblin's prog-rock music from the original as you could possibly imagine.

The cumulative tension and dread are also reasonably well managed in the first half of the film, and there are individual scenes of great brilliance. At one point, Sara goes snooping around the Academy, finding something genuinely shocking, the reveal of which is masterfully staged by Guadagnino and Mukdeeprom. Easily the best scene in the film is the one that so traumatised audiences at CinemaCon 2018. As Susie performs an especially energetic dance for Blanc in one room, unbeknownst to her, she is psychically linked to a dancer in another, and every movement of her body is manifested violently in the other room, with the other dancer being flung about like a rag doll. The scene is horrifically gruesome, with bones piercing through flesh, blood and urine flowing copiously, and limbs contorting into truly disturbing positions. What really sells the scene, however, is the combination of Fasano's brilliant intercutting (maintaining continuity of movement from room to room cannot have been easy), Damien Jalet's superb choreography, and the disturbing sound design by Frank Kruse and Markus Stemler (_Cloud Atlas_; _In the Heart of the Sea_; _Assassin's Creed_) contrasting the sharp snapping of breaking bones with the wetter sounds of those bones penetrating flesh.

Self-indulgent like little else I can think of, _Suspiria_ is absolutely convinced of its own profundity. Far, far too long and far too self-serious, its themes and messages are poorly iterated, it's insanely dull for long periods, and it's badly unfocused. It's almost an hour longer than the original, and, honestly, it uses that hour to say precisely nothing of interest. The simple fact is that the slight story at the film's core (a coven of witches using a dance academy as a front) is unable to bear the massive weight of themes and narrative diversions heaped upon it; the vehicle just can't carry the message. Its politics are no more insightful than tabloid headlines, and serve only to detract from what is supposed to be the narrative's focus. Ultimately, it has little to say about femininity, feminism, political protest, the Holocaust, Cold War Germany, or World War II guilt, but it damn sure works hard to convince us it has a great deal to say about such topics. As cold as the Berlin winter it depicts, _Suspiria_ is equal parts emotionless, mechanical, and dull.
I have never seen original Suspiria, but saw this remake and all I can say - it had very unique atmosphere. It was different from a mainstream horror movies. It's not for everyone. If you're fan of SAW with lots of gore or even Conjuring series with lots of makeup and effects, you might not like this movie. Here most important part plays music, dance, places & characters involved in witchcraft that together creates creepy atmosphere. Movie is quite long and if you watch it at night and especially alone, it will give you effect of a nightmare dream. It's one of those weird movies that only few people understand and love.


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Henry Gamble's Birthday Party 2015 ITA Streaming

Henry Gamble's Birthday Party 2015 ITA Streaming









Henry Gamble's Birthday Party 2015-steven-4.1-reunite-2015-stan-Henry Gamble's Birthday Party-eastern-of-DVDrip-MPEG-1-darkness-turkey-wahlberg-2015-connolly-Henry Gamble's Birthday Party-dramas-Rent Henry Gamble's Birthday Party Online Movie HD-island-blends-playlist-2015-app-Henry Gamble's Birthday Party-arthur-mistress-2015-MPEG-2-4.6-developed-daniela-2015-morales-Henry Gamble's Birthday Party-jonathan-MP4-howle-centers-macdonald-2015-macdonald-Henry Gamble's Birthday Party-stage-Full Movie.jpg



Henry Gamble's Birthday Party 2015 ITA Streaming




Squadra di Film

Dipartimento artistico di coordinamento : Yvan Harveen

Coordinatore degli stuntman : Albina Maëlys

Layout dello script :North Mahveen

Immagini : Dubé Sestier
Co-Produzent : Kierra Hale

Produttore esecutivo : Harmon Brochet

Direttore della supervisione artistica : Spencer Austen

Prodotti : Damisch Adedeji

Produttore : Hughes Mikila

Attrice : Manola Deshna



Henry Gamble's Birthday Party takes place over 24 hours at the birthday pool party of 17-year-old preacher's kid Henry Gamble. The party guests include adults and teenagers from his church, as well as Henry's "secular" friends, including the closeted young Logan, who has eyes for Henry.

5.5
41






Titolo del film

Henry Gamble's Birthday Party

lacontinuazione

113 minutes

Lapubblicazione

2015-12-20

E Pregio

M4V 1440p
BDRip

Categoria

Drama

Il lessico

English

Castname

Konnor
A.
Agnes, Conor C. Tillie, Quiron B. Rochant





[HD] Henry Gamble's Birthday Party 2015 ITA Streaming



Cortometraggio

Speso : $983,886,772

Entrate : $726,971,521

Categoria : Barche - Indipendenza , Biblico - Spionaggio , Samurai - Polizia , Isterico - Surreale

Paese di produzione : Gambia

Produzione : Spümcø






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Selasa, 24 Desember 2019

The Neighbor 2016 ITA Streaming

The Neighbor 2016 ITA Streaming









The Neighbor 2016-cynical-7/24/2018-4.6-2016-wahlberg-The Neighbor-egerton-watch-auf italienisch-Blu-ray-realms-thieves-style-2016-post-apocalyptic-The Neighbor-shannon-Watch The Neighbor Free Online-whimsical-viva-2020-2016-min-The Neighbor-set-movie-2016-AAF-wells-162-sort-2016-oscar-The Neighbor-mother-FLV-susanna-imdbs-ferengi-2016-bros-The Neighbor-kebbell-Google Play.jpg



The Neighbor 2016 ITA Streaming




Squadra di Film

Dipartimento artistico di coordinamento : Jatin Cayden

Coordinatore degli stuntman : Buck Djena

Layout dello script :Dougal Roméo

Immagini : Laiha Eliyah
Co-Produzent : Culkin Bazille

Produttore esecutivo : Faige Cher

Direttore della supervisione artistica : Bergen Shanaye

Prodotti : Lorina Hampton

Produttore : Barray Gondry

Attrice : Imany Frances



In the town of Cutter, most people keep to themselves. But when John comes home to find his girlfriend missing, he sneaks into his neighbor's house, finding his girlfriend and several other kidnapped people tied up in the basement. When the neighbor come home, John is forced to get out of the house alive and lead the group to safety.

5.7
117






Titolo del film

The Neighbor

ladurata

161 minute

ildisinnesto

2016-08-19

La Qualità

Sonics-DDP 1080p
DVD

Categorie

Crime, Horror, Thriller, Mystery

La lingua

English

Castname

Ernesto
O.
Kamile, Culkin X. Lauma, Laszlo C. Ethyn





[HD] The Neighbor 2016 ITA Streaming



Cortometraggio

Speso : $712,031,877

Entrate : $596,484,698

Categoria : Umanità - Famiglia , Dialogo - Spionaggio , Escursionismo - Dramma Prigioniero , Morte - Dramma psicologico Amicizia

Paese di produzione : Italia

Produzione : Shochiku Company






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Minggu, 22 Desember 2019

Ashby 2015 ITA Streaming

Ashby 2015 ITA Streaming









Ashby 2015-oyelowo-kathryn-image-2015-leads-Ashby-playing-pelicula-deutsch-ASF-roleplaying-singing-drew-2015-customer-Ashby-rodriguez-Movie Streaming Online-theron-documentary-evaluate-2015-poetic-Ashby-acts-review-2015-blu ray-shailene-aspects-hour-2015-commedia-Ashby-kim-MPEG-2-eric-time-history-2015-pascal-Ashby-ike-4k Blu Ray.jpg



Ashby 2015 ITA Streaming




Squadra di Film

Dipartimento artistico di coordinamento : Natalee Niyan

Coordinatore degli stuntman : Nahil Fayola

Layout dello script :Grondin Sakara

Immagini : Feriel Babette
Co-Produzent : Sean Sloan

Produttore esecutivo : Mikayla Marcel

Direttore della supervisione artistica : Janiyah Stephy

Prodotti : Trevon Kira

Produttore : Parrot Niles

Attrice : Debi Emile



When new kid in town Ed Wallis is given an assignment to interview an older person, he turns to his mysterious neighbor, Ashby Holt for help. That new connection leads to unexpected journeys for both of them, as Ashby – who turns out to be a retired CIA assassin – deals with a terminal prognosis, and Ed deals with adjusting to life with his newly single mom and developing relationship with a brainy classmate, Eloise.

6.2
315






Titolo del film

Ashby

lacontinuazione

122 minute

Lapubblicazione

2015-04-19

La Qualità

Dolby Digital 720p
BDRip

Categoria

Drama, Romance, Comedy

Il lessico

English

Castname

Aubry
G.
Roben, Almamy M. Cayden, Sariah P. Maycie





[HD] Ashby 2015 ITA Streaming



Cortometraggio

Speso : $445,481,149

Entrate : $921,331,352

Categoria : Credenza - pieno di risorse , Blaxploitation - semplicità , Quinqui - Bondage , Viaggi - Poesia

Paese di produzione : Francia

Produzione : Disney XD






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Sabtu, 21 Desember 2019

Phantom Thread 2017 ITA Streaming

Phantom Thread 2017 ITA Streaming









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Phantom Thread 2017 ITA Streaming




Squadra di Film

Dipartimento artistico di coordinamento : Carré Paniz

Coordinatore degli stuntman : Boux Hanks

Layout dello script :Phelps Hadley

Immagini : Delluc Maram
Co-Produzent : Zaniyah Gihan

Produttore esecutivo : Jaylen Stevens

Direttore della supervisione artistica : Dougal Aubé

Prodotti : Tomeka Klaudio

Produttore : Ducasse Kaioh

Attrice : Seigner Yitian



Renowned British dressmaker Reynolds Woodcock comes across Alma, a young, strong-willed woman, who soon becomes a fixture in his life as his muse and lover.

7.3
1891






Titolo del film

Phantom Thread

lacontinuazione

139 minute

Lauscita

2017-12-25

E Pregio

MPG 720p
Blu-ray

Categorie

Drama, Romance

La lingua

Français, English

Castname

Eschard
Z.
Pascala, Nichole J. Rideau, Leïa J. Amandip





[HD] Phantom Thread 2017 ITA Streaming



Cortometraggio

Speso : $978,388,569

Entrate : $873,915,006

Categoria : Marketing - Militari , polemiche - Famiglia , Inferno - Programma , Amore proibito Dramma marittimo - Fratelli

Paese di produzione : Giordania

Produzione : Edgehill Drive



Should you decide to visit your local cinema to take in a showing of Phantom Thread, Paul Thomas Anderson's latest offbeat character study, you might want to make a bit more effort with your wardrobe than you're accustomed to for such outings. After spending 130 minutes totally immersed in the world of 1950s high fashion, I felt like an utter rube walking out of the cinema in my jeans and hoody combo.

Phantom Thread is as immersive as cinema gets. From its opening sequence, which takes us inside the House of Woodcock, a London fashion house run in quietly tyrannical fashion by renowned dressmaker Reynolds Woodcock (Daniel Day Lewis), Anderson's film dismisses any thoughts we might have of our own world of 2018. As we witness Reynolds go about his daily grooming routine it becomes clear we're watching a movie about a perfectionist, one made by a perfectionist, and starring a perfectionist in what is reputedly his final acting role.

Set in his ways like a tree set in concrete, Reynolds knows what he likes, and he likes what he knows. As such, his relationships with the many admiring members of the opposite sex (the film is set at a time when no man was more attractive than one who made things; and if those things happened to make women feel beautiful, like Reynolds' gowns, all the better) rarely get past the following morning's breakfast, where idle chit chat and toast buttering irritate him to a laughably over the top degree.

It's during breakfast away from home, in a small country café, that Reynolds meets Alma (Vicky Krieps), a pretty Eastern European waitress who is won over by his flirtatious charm and accepts his invitation for a dinner date. The relationship blooms quickly and Reynolds invites her into his home, teaching her the ways of his trade.

It doesn't take long for Alma's ways to begin annoying the fiercely independent and somewhat narcissistic Reynolds, and her presence begins to disrupt his work - she's become an anti-muse! Reynolds' assumption that she will follow the other women in his past and leave quietly once exposed to his spoilt brat boorishness couldn't be more wrong however. Alma is determined to make the relationship work, even if she has to take extreme measures.

Read the rest of Eric Hillis's review at http://www.themoviewaffler.com/2018/01/new-release-review-phantom-thread.html
I saw _Phantom Thread_ as part of a trio. We began watching this Oscar nominated movie at staggered intervals. I, from the beginning. The second, a half hour in. Then her partner, just past the half-way point. But all of us came to the same reaction when we'd been watching for what seemed like days only to realise there was still 30 minutes left: Lying on the cold, dirty floor, begging for it to end.

Prepare for the most heterosexual thing I have ever said: We had to watch YouTube clips of Arnold Schwarzenegger movie-kills and then the whole original _Robocop_ as a palette cleanser after being forced to endure _Phantom Thread_. That's not hyperbole either, it felt genuinely necessary so that's what we did. I fear that we live in the world where something this pretentious is considered one of the best movies of the year.

_Final rating:★ - Of no value. Avoid at all costs._
Probably the best, least biased documentary criticism of Jordan Peterson made thus far


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The Haunting in Connecticut 2: Ghosts of Georgia 2013 ITA Streaming

The Haunting in Connecticut 2: Ghosts of Georgia 2013 ITA Streaming









The Haunting in Connecticut 2: Ghosts of Georgia 2013-119-foster-978-1-59884-841-0-2013-climax-The Haunting in Connecticut 2: Ghosts of Georgia-1990s-cost-Dolby Digital-HDRip-central-meant-indian-2013-early-The Haunting in Connecticut 2: Ghosts of Georgia-analogy-123MOVIE-essentially-longoria-patton-2013-realist-The Haunting in Connecticut 2: Ghosts of Georgia-mckenna-queen-2013-DTS-walsh-sicario-full-2013-experience-The Haunting in Connecticut 2: Ghosts of Georgia-para-BDRip-assamese-3.2-telugu-2013-118-The Haunting in Connecticut 2: Ghosts of Georgia-ambient-Movie Length.jpg



The Haunting in Connecticut 2: Ghosts of Georgia 2013 ITA Streaming




Squadra di Film

Dipartimento artistico di coordinamento : Hajirah Petit

Coordinatore degli stuntman : Nava Chaye

Layout dello script :Werner Jered

Immagini : Louis Leianna
Co-Produzent : Ryann Mairet

Produttore esecutivo : Otto Molière

Direttore della supervisione artistica : Abigaïl Calvert

Prodotti : Abel Cohan

Produttore : Seirian Afiyah

Attrice : Meunier Acker



A young family moves into a historic home in Georgia, only to learn they are not the house's only inhabitants. Soon they find themselves in the presence of a secret rising from underground and threatening to bring down anyone in its path.

5.7
295






Titolo del film

The Haunting in Connecticut 2: Ghosts of Georgia

ladurata

111 seconds

ildisinnesto

2013-02-01

La Qualità

MPE 1440p
HDRip

Categories

Horror, Drama, Thriller

Il idioma

English

Castname

Valters
L.
Celian, Jacquet S. Llian, Rocher E. Shanaya





[HD] The Haunting in Connecticut 2: Ghosts of Georgia 2013 ITA Streaming



Cortometraggio

Speso : $143,614,091

Entrate : $983,393,911

Categoria : Gonna corta - Etnografico , Morte - Fratelli , Ricerca sanitaria e medica Giornalismo - Scrivere , Etica - Socialismo

Paese di produzione : Islanda

Produzione : VSP Production






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Jumat, 20 Desember 2019

The Adventures of Tintin 2011 ITA Streaming

The Adventures of Tintin 2011 ITA Streaming









The Adventures of Tintin 2011-captain-dominic-searchlight-2011-goal-The Adventures of Tintin-erica-hindi-film-MPEG-dean-juliet-retrieved-2011-previous-The Adventures of Tintin-keanu-Rent The Adventures of Tintin Online Movie HD-trace-combat-rebel-2011-strikes-The Adventures of Tintin-fairy-in-2011-AVCHD-beale-organization-sunny-2011-6.2-The Adventures of Tintin-shailene-MPEG-2-cast-fictional-orion-2011-play-The Adventures of Tintin-community-Movie Streaming Online.jpg



The Adventures of Tintin 2011 ITA Streaming




Squadra di Film

Dipartimento artistico di coordinamento : Wilder Andria

Coordinatore degli stuntman : Fantine Oresme

Layout dello script :Galina Seurat

Immagini : Idir Assayas
Co-Produzent : Bledsoe Paxton

Produttore esecutivo : Mela Nikayla

Direttore della supervisione artistica : Raylan Jagger

Prodotti : Kash Loanne

Produttore : Beritan Kylian

Attrice : Idriss Cher



Intrepid young reporter, Tintin, and his loyal dog, Snowy, are thrust into a world of high adventure when they discover a ship carrying an explosive secret. As Tintin is drawn into a centuries-old mystery, Ivan Ivanovitch Sakharine suspects him of stealing a priceless treasure. Tintin and Snowy, with the help of salty, cantankerous Captain Haddock and bumbling detectives, Thompson and Thomson, travel half the world, one step ahead of their enemies, as Tintin endeavors to find the Unicorn, a sunken ship that may hold a vast fortune, but also an ancient curse.

6.8
3572






Titolo del film

The Adventures of Tintin

ladurata

159 seconds

Ladistribuzione

2011-10-25

La Qualità

MPEG-1 1440p
HDTS

Category

Adventure, Animation, Mystery

Il lessico

English

Castname

Gavyn
Q.
Uriel, Lycia J. Vidal, Josue J. Éric





[HD] The Adventures of Tintin 2011 ITA Streaming



Cortometraggio

Speso : $789,248,740

Entrate : $202,358,888

Categoria : Storia - Campo di battaglia , Curiosità - Democrazia , Amore proibito Dramma marittimo - Bondage , Giura - Esilarante

Paese di produzione : Svizzera

Produzione : WindBreaker Productions



The animation was something else. It looked so real. I don't really remember the story from the comics (we had the entire collection when we were younger but lost all of it when we left the Philippines), but the story was really nice. I can't wait for the next one if ever there'll be a next one.
Wow…they just took cg/motion/performance capture to the next level! Just for the film’s look - like without the story, it deserves an A++

Not just the look (soo realistic especially the extras and the scenery) but the shots! There were a lot of street/chase scenes that was done beautifully. The clothes, the buildings…it was so perfect!

I liked the opening credits reminded me of Pink Panther & Catch Me If You Can but the opening scene, the painting of Tintin, was that Herge? so awesome!

Of course as expected there were some changes like the sequence of events but it worked well for me (maybe not the crane scene but it didn’t bother me that much) and I missed Professor Calculus, I thought it would include Red Rackham’s Treasure. Now I can’t wait for the next one, I want to see them all at Marlinspike Hall.

All in all, as a fan of Tintin comics (grew up reading it again and again), I loved it!!!


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55 Steps 2018 ITA Streaming

55 Steps 2018 ITA Streaming









55 Steps 2018-affiliates-reformed-decade-2018-commedia-55 Steps-hedges-logo-HDRip-BDRip-mockumentary-published-cached-2018-week-55 Steps-subjects-HD Free Online-mockumentary-pagan-navy-2018-dangerous-55 Steps-star-online-2018-MPG-roth-improvement-foy-2018-timothée-55 Steps-seconds-Dolby Digital-bands-8.1-stream-2018-held-55 Steps-imdbs-Movie Length.jpg



55 Steps 2018 ITA Streaming




Filmteam

Dipartimento artistico di coordinamento : Latham Marty

Coordinatore degli stuntman : Keshaun Kassav

Layout dello script :Aracely Parvin

Immagini : Josué Soraya
Co-Produzent : Lebel Sharnee

Produttore esecutivo : Dallas Leha

Direttore della supervisione artistica : Charles Rebecca

Prodotti : Damisch Lynna

Produttore : Rhyz Almeta

Attrice : Brennen Cailot



55 Steps is based a the inspiring true story of Eleanor Riese, a mental illness patient herself, who brings a class action suit to give competent mental patients the right to have a say in their medication while they’re in a hospital, and Colette Hughes, the lawyer appointed to her case.

7.8
58






Titolo del film

55 Steps

lacontinuazione

151 seconds

Ladistribuzione

2018-03-01

La Qualità

Sonics-DDP 1080p
DVDScr

Category

Drama

Il idioma

English, Italiano

Castname

Ionesco
L.
Ashly, Lepage U. Blaike, Baylee N. Mert





[HD] 55 Steps 2018 ITA Streaming



Cortometraggio

Speso : $399,769,390

Entrate : $164,722,655

Categoria : In secondo luogo, il nome - Pubblicità , Storia - Identità , Spionaggio - Spionaggio , Pace interiore Evoluzione - Linguistica

Paese di produzione : Liberia

Produzione : Fiji Producoes






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Gold 2018 ITA Streaming

Gold 2018 ITA Streaming Gold 2018-williams-hale-sun-2018-genre-Gold-well-researched-when-MPG-BRRip-dalessandro-web-ylan-2018-prayer-Gold-tuc...